How much space, physical and symbolic, do women occupy in cities? TransFemina: Intersectional Landscapes proposes the creation of spaces for reflection, discussion and collective action on the invisibility of feminist narratives in cultural heritage and inequalities in the public space in 3 cities: Porto, Barcelona and Modena, through a process of co-production of site-specific artistic interventions.
Reflecting on sustainability is, inevitably, asking about theoretical and practical processes of survival, present and future. Thus, in our practice of artistic creation, we find ourselves urgently needing to reconfigure production and consumption patterns, looking for ethical alternatives to contribute to a shared future.
Azevedo is a regenerative artistic creation program that proposes to establish dialogue between the territory of Azevedo (Campanhã, Porto), resident communities (human and more-than-human) and national and international creators.
How do you practice tenderness? Where is tenderness inhabited? And what is radical tenderness? An occupation of public space, an invitation to exercise tenderness collectively. Starting from our bodies and our own skin, from what is most personal and intimate, we build an act of collective protest and resistance.
The project aims to strengthen democratic culture, through the creation of spaces that bring young people closer to civic and political participation, and that allow them to become agents of change in their own territories.
Can a single soup contain ingredients from a garden, a meadow, an orchard and a forest? For a year, we watched the seasons pass and studied the visible and invisible relationships between things, living and non-living...
A space for artistic creation and civic participation aimed at young people that live in compliance with the measures of law, educational mentoring, and prison protection. We especially address youngsters that demonstrate failure profiles and school dropout, by promoting the activation of social and personal skills for their inclusion and employability.
Enxoval, considered as a social representation of the female condition and a symbolic endeavour that crosses different generations. A heritage of objects, affection and conduct, the transmission of a womanly conception passed on from grandmothers to mothers and daughters.
We'd like to create an archive of present-day experiences. We'd like to add ours to other voices.
A micro-history that, based on multiple provocations, proposes to reflect, share, question, speculate and imagine other possible flows and practices.
Suggests a transgressive bordering and potentially stimulating practice of access to cultural participation. Inspires mobility routines by occupying the space of interdependence between artistic creation and programming.
A space that is dedicated to creating synergies between residents and invited artists. It aims at inspiring alternative models of collective experience that will interact between Tension, Conflict, Sharing and Utopia. A place open to experimentation that contributes to affirming a common identity.
A space of collective creation that mingles languages, sectors, and communities.
It is assumed as a regenerative ecosystem of participation, discussion, conviviality, and action. It proposes to reflect on alternative models of production, networking, and training.
This project aims to promote cooperation and the exchange of good practices at European level and take advantage of the EU transparency and recognition tools to increase the training opportunities and employability of professionals working in the field of Social and Community Theatre.
